When we craft stories, essays or memoir, the “deeper” elements are the last thing on our minds. At least they should be. Concentrate on getting the story down, however rough around the edges. My opinion is that if you write the story deeply and honestly, the metaphors, themes, symbols (all that Voodoo subtext stuff!) will take care of themselves.

Writing Tip for Today: Why should writers even care about the “deep stuff?” Isn’t a story with lots of action enough? Here are some reasons for attending to subtext at the proper time:
  • Readers Crave Meaning. You can’t just write about your life or a character’s life without a point. Readers look for meaning, and if you don’t deliver your point, they’ll make one up. Kind of like the way the Beatles’ recordings have been played backwards by those convinced there were hidden messages. Your story, be it fiction or true, must pass the SO WHAT? test. Lives should change in stories.
  • Create Layers Upon Layers. In the Great Pacific Northwest, we’re used to dressing in layers. Readers too like to discover layers of meaning. Your story will be most satisfying if you provide metaphor, a solid theme and subtext that can be approached on different levels.
  • Start with Self-Education. The story often informs us as we write. What we thought was a great metaphor at the start now feels hackneyed or superficial. Completing a draft before you identify the subtext can help you see more possibilities. Instead of forcing them on the reader, let the symbols, metaphors or themes rise to the top like cream. You’ll have to practice in order to know how much thematic stuff beats the reader and how not to be so obscure that readers don’t get it. Start with whatever emerges and then mold it, shape it and you too can tame the Voodoo of themes, symbols and metaphors.
About Linda S. Clare: Linda is the author of six books and has published creative nonfiction, poetry and short stories. Her fiction has won several awards and has been nominated for the Pushcart Prize. She has taught fiction for more than a dozen years and is a writing coach and conference presenter. She lives in Eugene with her family and a menagerie of wayward animals. For more information visit her online lindasclare.com or connect with her on Facebook @LindaClareBooks.

Did you love this talk? Join Linda S. Clare and Wordcrafters in Eugene for Intro to Fiction starting February 1.
Got stories? Get started writing fiction! Whether you’re working on a novel, a memoir, short stories or if you’re a brand-new writer, this fun, introductory class focuses on fiction basics such as creating characters, settings, writing in scenes, using dialogue and managing time, as well as ideas for building a writing life.
Click here for more information and to register. 

Linda S. Clare has generously donated admission a copy of 5 Editors Tackle the Twelve Fatal Flaws of Fiction Writing, a book on writing craft that demonstrates the deadly dozen pitfalls on the road to a strong story, along with revisions that show writers exactly how to avoid novel failure.
When you bid on this item you get a chance to score some awesome writerly goods while helping us continue to bring quality literary programming to the Eugene community. Your support creates opportunities for more community education classes, places more writers in the schools, and creates scholarships for young writers. It’s a win-win!
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